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Oskar Milton's avatar

The escalation in this piece is perfectly calibrated — each anecdote is just slightly worse than the last, which is exactly how you sustain a character monologue without losing the reader. The eulogy bit is the peak, and the ending with the car keys in the garbage truck is a great button. The meta-note about humor writers observing the world as outsiders rings very true too — there's something honest about admitting that a bad experience is secretly exciting because it's material.

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